Six Days

Here’s a boost for fellow Chicken House author Philip Webb, whose debut SF novel, Six Days, is about to be published. I was privileged to read this book a year ago (back when it had a whole other title and publication date) and hearing a little of its progress towards publication has been fascinating and very instructive for me. Find out more here.

Six Days is a fine book indeed, with a truly epic scope (prehistoric stone circles, organic space craft, a billion-year old computer with dangerous hang ups…), but its heart is surely in the 'scavs' and their hand-to-mouth existence in the ruins of London. The voice and voices are strong, the questions intriguing, and I found it easy to follow Cass, Wilbur, Erin and Peyto in their struggle. Philip Webb knows how to tell a story and conjure vivid imagery, as well as balance a sentence perfectly. Strongly recommended for readers 11 (ish)+ who enjoy using their brains.   

Harry Potter and the Mysterious Wizard.

This post has been moved to my new blog. Please follow the link to read it.

(See also: Harry Potter and the Missing Artist)

How to Survive Being Edited and Still Love Your Book/Editor/Self (and Even Occasionally Smile:-)

This wasn’t lifted from a guidebook or a ‘How To’ blog, it comes direct from the Sharp End. I find revising my novel under editorial guidance a bit like experiencing assisted indigestion. Of course, gas is always better out than in, but now I’ve got someone to kick it out, and then give me soda water and interesting new stuff to eat afterwards. It’s exhausting, it’s essential, and I cope with it by being…

-NERVOUS. Don’t let anyone tell you to be relaxed about your work. Nervous energy is good – it prevents complacent or comfortable writing, and keeps you out of the biscuit tin. And fortunately there’s loads to be nervous about, especially if it’s your first novel. So bite those nails! Drink too much coffee! And don’t worry if a little cold sweat seeps into your keyboard -- there really is everything to play for and everything to lose. A nervous brain is a very active organ, a nervous brain gets things done. So keep it real, brothers and sisters -- keep it twitchy.

-HUMBLE. You are not in complete control of your novel, only the writing of it. And this is good because no way can you be expected to bring much objectivity to something you’ve been giving birth to for years. If it’s rubbish, you need to be told. If your editor spots a useful connection you could make, or a logical flaw you shouldn’thave, just be grateful. The only question you should ask is, ‘would this change improve the book?’. If the answer is yes – and somewhere deep down you’ll always know the answer to that question – then go for it. Just remember to also be...

-RUTHLESS. You’re living on your nervous system and your ego is in chains. Now you are loose in a world of your own making with the most powerful weapon a creator can have: the delete button. Even your main character reaches for a spare pair of trousers as you clank by, your senses straining in every direction for signs of plot device, flabby prose and vile non sequiturs. You have already driven cliché to the edge of extinction, and reduced vast herds of Adverbs to a few captive specimens. On your keyboard, no button shines as brightly as the one that used to say ‘Delete’.

A huddle of emaciated back-stories spot you. They point at each other and shriek, ‘Him! Do it to him!’ but you merely scatter them with your passing – you’re after new prey now. Up ahead, a minor character who no longer pulls his weight is too busy ordering pizza to notice your approach. It’s only when your monstrous scales disrupt his wireless connection, preventing him from uploading his third best Mahjong score, that he looks up into your pitiless lens. In a second, he’s off his chaise longue and running, but it’s already too late.

You know where he lives.

Getting the Title Right, Getting the Title Wrong...

 Regular readers of this blog will know that I have a novel due out next year, a supernatural thriller entitled The Ghost Effect. I’ve been a bit sparing with details of this event until now, mostly because I have been up to my mind’s eye in rounds of heavy revision. But as time slips by and things begin to speed up, I can start reporting milestones in the book’s progress towards publication, starting now with the news that my book almost certainly won’t be called The Ghost Effect.

Now, I always suspected this might happen, even though I did put a lot of thought into the issue of titling over the two years of the book’s creation. The story is about kids who can travel in time through their dreams. Because it’s non-physical time-travel, they take on an ethereal form as they do this, being spotted throughout history as ghosts. The title was conceived as a combination of the creepy Germanic ‘ghost’ with the  Latinate, science word ‘effect’, a mis-match that was intended to create an intriguing whole. Like the Butterfly Effect, only spookier. At least, that was the idea. However, I always felt that ‘effect’ was a weak title word, and, as it turns out, so does everyone else.

So, what will the title actually be? Well, that’s being debated right now. There is one strong contender, but I won’t say anything about that just yet. What does strike me though is how closely those involved in marketing books think about these things. And also just how popular one-word titles have become. Finding a single word that captures the essence of my book, is universally relatable, and looks/sounds fab, though, now that’s a tall order! Even the English language has its limits. But one thing is certain – it’s crucial to get it right. Watch this space.

I Flatline at Weekends

I’ve been neglecting my blog. And like a sick patient in an understaffed hospital, my blog is suffering as a result. But don’t take my word for it, just scroll down to the very bottom of this screen and take a look at its cardiogram. Eek!

Obviously, the ideal pulse rate would be a once-a-day (or at least twice-a-week) rhythm of site traffic spikes, as my scintillating wit and industry relevant infoblasts bring waves of visits to each post, but, um… I’m still warming up to that. In the meantime, while I wait to be industry relevant and scintillating (and rather than resort to posting pictures of kittens), maybe a detailed study of my blog’s stats will suggest a suitable medicine.

My most visited (I won’t say ‘read’), blog post is without doubt my claim-to-fame one. There’s nothing surprising there: write about something famous and people will find it. But my second most visited post, and by some margin too, is a throwaway piece I knocked out in a few minutes, whose popularity seems to be based on the fact that the play on words in its title is also a popular spelling mistake. So clearly the best shot in the arm I can give my blog is a dose of…

…Harry Potter and the Googled Myrrhmaid!

There. Long term though, there’s no alternative to getting back into the driving seat and making the effort to blog more regularly, but I have to move house first. In the meantime, please don’t worry if the patient slips into a temporary coma, it should be over by the end of June. And don’t go away, because there’s loads of news about my novel coming up (hey, I saw that look!), and more about Dan and the Dead, as well as my adventures with websites, my thoughts on branding (cowboy!), the experience of being edited, and the ups and downs and headaches of working with ideas. I’m also going to be giving stuff away.

See you soon (I hope!)

Out to Launch

Last night I went to the launch party for Caroline Green’s debut YA title DarkRide, a book I just about finished on the train journey home. Not because it’s short, I might add, just brilliant and difficult to stop reading. Congratulations, Caroline!

The launch itself had all the essential ingredients -- wine, a reading, good company and a charming author – not to mention that other strange phenomenon of a 21^st Century social life: the meeting of people one has already ‘met’ via social networking. In short, I had a great time, and I couldn’t help noticing that a lot of books were sold too.

The reason I find this particularly noteworthy is the fact that I was recently told (by those who know) that new authors shouldn’t feel the necessity to hold a book launch at all, at least from the point of view of sales. The reason being that all those who would come would probably have bought the book anyway. This has had me wondering about my own debut next year and whether I should go to the trouble of organising a launch party if, as is likely, the publishers don’t hold one. But last night’s spectacle of happy people chatting over dwindling piles of stock as the wine flowed has me thinking again. And after all, without that launch party I wouldn’t have met the author, I probably wouldn’t have bought her book any time soon, and I certainly wouldn’t have had it signed. So my question over whether to launch or not seems to have been answered right there. At least, from the sales perspective – it goes without saying that it’s always fun to open a bottle or two with friends, whatever the bean-counters think.

Before I sign off, I’d also like to send out congratulations to Fiona Dunbar, whose new book, Divine Freaks, is published today. Fiona was at Caroline’s launch last night, so I was finally able to chat in person with someone I only knew by reputation and facebook. Divine Freaks, by the way, is about a girl who can see ghosts, and you have only to glance at my last post to see why I find that interesting. Congratulations Fiona!