…at the
Sheffield Children’s Book Award. They are so interesting (especially if you write and illustrate picture books) that I’m going to share them here. No, wait, I actually learnt
three things! But first…
The award ceremony was a huge event, much bigger than I’d expected, with a 1000 school children in the audience, plus plenty of adult hangers on. Sheffield should be very proud of itself for hosting such a wonderful annual blast – a celebration of libraries, reading and books, with the kids themselves voting for the shortlists and the winners.
I didn’t win in my category, though just being shortlisted felt pretty special, I can tell you.
Morris the Mankiest Monster by
Giles Andreae and
Sarah McIntyre won both the picture book category and the overall prize, and this is a much deserved win because, as I said, the children chose it themselves. It was in talking about this with editors afterwards that I discovered the first of the Interesting Things:
--Picture book editors, some of them at least, are growing less reluctant to publish rhyming texts.
This is exciting -- for me, anyway -- not only because kids love rhyme, but because it comes naturally to me when I write for the very young (as with J
ack’s Tractor). The difficulty of landing a co-edition, especially in a language other than English, has made rhyming texts very difficult to sell in recent years. But I was told, “if it’s good enough, it
will be translated.”
The second Interesting Thing was this:
-- Gross sells (Morris is a very manky monster indeed), but not so much in the US. Actually, Morris
does have a
US co-edition, but as a general rule, books about poo, vomit and farting, while hugely popular with young readers everywhere, often don't get picked up by US buyers, and the possibility of not landing an American co-edition keeps the lid on the number of gross picture books that come out in the UK. In other words, there’s no point in running off after Morris’s slime trail just because he’s very popular, even though these days there are certainly more gross books about than before. Gross alone isn’t enough. But that’s the thing about Morris – he manages to be charming, even when he’s squeezing his spots! Definitely something to keep in mind.
The third thing I learnt was this: if you are nominated for an award, then if at all possible please go to the ceremony. I know a lot of authors complain about having to traipse about attending these events because I’ve heard them doing it, but when, at Sheffield, the kids were told that their favourite author couldn’t be there, the look of naked disappointment on their faces was a lesson in itself.
